Mockingjay – Part 1 is an interesting film in its own right and accompanies the films which have gone before it perfectly.
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All posts by Edward Lauder
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There will surely be a third film, yet this sequel is a step up from The Hangover trilogy. Who knows, Hollywood might one day make the Citizen Kane of modern comedy.
How can Hollywood blockbusters make even more money? Answer: get your film screened in China, or better yet, make your film’s content more accessible to a Chinese audience.
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There is so much that game developers can learn from Thatgamecompany. Journey really is a modern masterpiece in the field and one to cherish for many years to come.
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Thomas Was Alone is full of charm, character, wit and wonderful puzzle solving.
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Please, if you care about cinema at at, don’t buy this film! It’s utter rubbish and I’m sure that it’s bad for your health.
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How To Train Your Dragon 2 is a fantastic film which has something for children and adults alike. I wouldn’t be averse to a trilogy.
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Fury is a remarkably enjoyable, intense and brutal war film, something we haven’t seen for a while.
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Nightcrawler is one of the most tense, thrilling and thought provoking films of the year. Jake Gyllenhaal’s performance is spellbinding and something to be seen again and again.
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Despite Nolan’s over-ambition and Interstellar’s overly long running time, it is still a remarkable piece of filmmaking; one which should be applauded for its big ideas, fantastic visuals and enthralling performances.
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It’s a shame that Horns ended up being so average because the source material is good and should have resulted in a much more promising picture.
Here’s a run-through some of the best that the spooky genre has to offer to watch this Halloween.
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You’re Next is a funny, cleaver, thrilling and sometimes chilling horror flick which really deserves a watch this Halloween.
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The Badabook should be applauded for its intelligence, but, more importantly, its genuine scares.
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Deliver Us From Evil, more like deliver us from poor horror pictures like this one.
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A Walk Among the Tombstones is enjoyable and marks an interesting new chapter for Neeson’s recent image as the all kicking, all punching and all shooting elderly statesman, should it continue.
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David Fincher’s Gone Girl is full of tension, brilliantly directed, and most importantly, it was entertaining. Fincher has proved yet again that he is a master of his craft, an exemplar of filmmaking.
